While this album gained many comparisons to Jimmy Eat World, a contemporary critical success that also hailed from Mesa, Arizona, Jeff Marsh of contends that " Before Braille has their own sound" and calls The Rumor "a pretty impressive debut." Jenn Sikes at found that " Before Braille gives listeners a lot to love." While not totally engaged in the emo movement of the early 2000s, Sikes found that The Rumor "has combined the most desirable and enduring features from a variety of emo bands, creating a sort of 'optimized' aesthetic.
RUMOR BUTIRAN DEBU WIKIPEDIA PROFESSIONAL
The Rumor received favorable reviews from professional critics. Reception Critical reception Professional ratings Review scores
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Among other things, the EPK features interviews, live performances, and some behind the scenes "horsing around." This enhanced CD also carries an EPK (Electronic Press Kit) filmed and produced by Fabio Jafet. In addition, Jared Woosley of Fivespeed, Dan Hargest of Pollen, Alex Eilers, and McKane Davis, contributed to the vocals. Braden McCall also participated in the recording of this album, but left the band before it was mixed and mastered. Members of the band that contributed to this recording include: David Jensen, Hans Ringger, Brandon Smith, and Kelly Reed. Before Braille will be a rumor.'" Album Information Almost a direct quote from that encounter was this, 'I will personally see to it that this is the end of your band.if you continue ignoring me, this will all be over and your record will never be released. Threats were made by the two people from the label after the band had decided not to work with a particular member of 'A&R'. "Without mentioning any names, there was a very heated conversation between a member of the band and 2 people representing the label. Īs for the album's name, the band had originally thought of "Trade Honor for Canker Sores," "The Sunset Alliance," and "Tired of Not Being Away From Here." Eventually, it settled on The Rumor after the following experience as recounted by lead-singer Dave Jensen: Aezra only wanted ten songs to be on the record, so the band met them halfway and included 15 tracks on the album. The band originally wanted to record an album with twenty songs. Jason Livermore ended up liking the original mixes more than those done in Florida, and eventually included all of them on the new master copy, which, although it was rejected by the label just four months earlier, ended up getting the go ahead when compared to the Miami mixes. Bob was enlisted to help in the mastering, and perhaps fix all of the problems with the mixes.
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Eventually, when it came time to master the record, it was sent to Jason Livermore, one of Bob Hoag's close acquaintances, at the Blasting Room in Fort Collins, Colorado. The new mixes from Miami did not please anyone either. Bob Hoag offered to remix any of the material, but the label refused and decided that it wanted to hire Karl Richardson of Saturday Night Fever-era Beegees fame, in Miami.
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However, when the original mixes were given to Aezra Records, the label rejected them. Because Aezra Records had placed the band under significant pressure to get this record done quickly, the album was recorded and produced by Bob Hoag at Flying Blanket Recording in Mesa, Arizona, in one and one half months and then mixed by Bob and the band during a 28-hour marathon session.